KAJIAN RASM AL-QUR’AN DALAM MANUSKRIP MUSHAF AL-QUR’AN KOLEKSI MASJID ASMALAQOB MUNFISI DUSUN SIYONO, DESA BOJASARI, KECAMATAN KERTEK, KABUPATEN WONOSOBO
Abstract
This research discusses the rasm used in the Al-Qur'an Mushaf Manuscripts in the collection of the Asmalaqob Munfisi mosque as well as the consistency of writing and the use of rasm. The background to this research was the discovery of an Al-Qur'an manuscript in the collection of the Asmalaqob Munfisi mosque in Siyono hamlet, Bojasari village, Kertek sub-district, Wonosobo district which was written on date leaves and written without vowels. For this reason, two problem formulations emerged which will be the material for this research, first, what is the form of rasm used in the Al-Qur'an Mushaf Manuscripts from the Asmalaqob Munfisi Mosque Collection? And what is the consistency of the writing and use of rasm in the Al-Qur'an Mushaf Manuscripts from the Asmalaqob Munfisi Mosque Collection? The theories used in this research are philology and Rasm.
At the end of this research, it can be concluded that the Al-Qur'an manuscript manuscripts from the collection of the Asmalaqob Munfisi mosque were written without harakat and the writing was inconsistent, both based on the size and form of writing. The manuscript only has one symbol, namely the verse change symbol. There are no other symbols, nor does the waqf sign. Writing the beginning of a letter is by writing the name of the letter and the basmalah which is written parallel to the verse of the letter and the last verse of the previous letter but given a distance. However, the initial writing of the first letter in the last few letters in juz 30 is different, but is written on a different line. The rasm used in the Al-Qur'an manuscripts of the Asmalaqob Munfisi mosque collection is the Ottoman rasm, and the use of rasm is considered consistent, however the lafadz الصلوة which is usually written consistently uses the al-Badal rule by replacing alif with wawu, in the Al-Baqarah verse The 43 lafadz أقيموا الصلاة were written without following the rules of al-Badal